VARIAZIONI
tapestries, ceilings and walls, painted books and theatre costumes

 


Tapestry by Fiora Gandolfi

Fiora Gandolfi's interest in contemporary tapestry was born from the circumstance of finding herself cooped up day after day in a hospital room at the bedside of her husband who had suffered a heart attack. She found herself overcome by a desire to plunge into a new artistic pursuit that would suit the new rhythm of her life that compelled her to wander from one city to another.

The flexibility of a painting realized not with brushes but with wool makes the arras (or tapestry) the chief home decoration of the nomad. The arras can be put to multiple uses: as a blanket, a panel, a door, a dividing wall, a floor covering. This versatility, together with its capacity to demonstrate particular refinement and culture, rendered the arras amongst the most prized possessions in medieval times when the nobility often found themselves obliged to move from one empty castle to another, taking with them only linen chests and tapestries.

 



Arazzo "Infarto" "Heart Attack" Tapestry
Size: 234 x 157 cm
Year: 1974


The first tapestry of a long series depicting various   landscapes as seen from an aeroplane - Veneto, Asturias, Castilla, Guadalquivir, Cuenca - born by chance from Gandolfi's overwhelming desire to escape that sickroom in the hospital and take flight like a seagull whose claws are embroidery needles. She bought herself a canvas, wools and needles. With a brush she sketched the heart attack - the area of the ischemia, the dead tissue - onto the perforated panel. Then she filled in the spots in needlepoint, and around them, painting in wool, a grand vortex depicting her own contracting guts, the white bedside table, the bars on the bed, and the feathers floating down to become her wings.

 

 

Arazzo "Barene"; "Sandbars" Tapestry
size 160 x 200
year 1975


Barene is the Italian name for the muddy islands or sandbars that form the Venetian lagoon and on which the city was built. This tapestry depicts the slow course of the sandy waters as seen from the air, the mirror of the shallow lagoon surrounding Torcello, Mazzorbo, Mazzorbetto and Burano.

 



Tapestry - Reattivo di Rorschach, Size: 280 x 150 cm, Year: 1974


The winter evenings are too long and lonely on the small island of Mazzorbetto.
Lost in the Venetian Lagoon, Rita and Maurizio, children of Moleca the fisherman, go to work on the huge carpet that depicts the second last blot of the Rorschach test.

 

The tapestries have been published in Rakam magazine.

 


Armchair-sculpture
year 2006


 

Ceilings and Walls


Soffitto Esagonale (Hexagonal Ceiling)
Behind the filiform sculptured lights, a ceiling depicting the four seasons
painted in mixed media of tempera and acrylic. Year: 1984


Parete Givergny (Givergny Wall)
Rapidly applied strokes of both brush and palette knife create the impression
of movement on this very fixed wall. Mixed media of bees wax, tempera and pastel. Year: 1990


Soffitto verde Tiepolo (Ceiling in Tiepolo green)
Rolling hills of clouds building up before a storm.
Media: tempera, Year: 1990, restored 1998


Painted ceiling reproducing the variations of the shades and lights of an XVIII century Venetian chandelier
Year: 1990 and 1994


Painted wall with graffiti, Mixed media 1985


Affresco con frammenti di specchio (Fresco with mirror fragments)
Mirrors corroded over time encrust a crumbling wall. Year: 2002


 


Concertina Books

Folding books of painted cardboard that open like accordions, inspired by Japanese (orihon)   books. They are painted with silkscreen paints in bright colours that shine even more vividly under fluorescent lights. With inscriptions written in Chinese calligraphy, 18th century cursive script, liturgical Cyrillic, or in Roman characters, they depict landscapes in a sea of famous sayings and quotations, or alternatively, given that Gandolfi is compiling a book on the semiotics of insults, phrases inspired by this work. Various poems in Latin, Arabic and Persian meander and intertwine calligraphically with insults and mystical Sufi phrases.

Fiora Gandolfi has exhibited these works at the Conference/Performance/Exhibition   "Insults in Italy and the World" at the Italian Cultural Centre in Paris in 2002.

 

 


 

Theatre Costumes


Costume for Yutaka Takei, "Man Over Mountains" by Carolyn Carlson
Théatre Sylvia Monfort, Paris



Costume for Yutaka Takei, "Man Over Mountains" by Carolyn Carlson
Théatre Sylvia Monfort, Paris

 


Patrick Lynch with a costume by Fiora Gandolfi for "The Minotaur" by Paolo Puppa, Edinburgh Festival, 2000


3rd September 2004 - Ljubljana, Slovenia
Lapidarium of the Ljubljana Castle
Costumes for the performance
"Continental Breakfast"
by Emanuela Marassi
Music: Puccio Migliaccio
Actress: Sara Alzetta


photo: Riccardo Kriscjak



photos: Roberta Lombardo Hurstel

 

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Copyright© 2004 Fiora Gandolfi Herrera